Summary
[Tomoko Takahashi]'s project is not about crafting intransigent material products: the social networks it creates are central. As a reminder, graffiti in the artist's hand name-checks helpers: Dallas, Lawrence, Peter and others. The gallery's manager, Michael Gaughan, notes that Takahashi's junk-hunt has been uniquely engaging for all involved.
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Extract
We're All in This Together
Most British art since 1990 has been spectacular, shocking and aimed at a niche market of filthy-rich private collectors, right? Wrong, but the caricature dies hard. The rule that art, to be newsworthy, must convert into a quick burst of titillating copy tends either to sideline subtle, multi-layered ...
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